Who we are
Georgina Gibson
I directed the Soho House Festival from 2004 to 2024. Twenty years of turning a field in West London into the kind of event 10,000 members rearrange their summers for. Rain, mud, last-minute headliner changes, portaloo logistics - I genuinely love all of it. Hand me a blank space and a big idea and I'm happy.
I started at Soho House in 1997 and spent over a decade as Marketing Director - launching Babington House, The Electric, and High Road House, and overseeing everything from brand partnerships to new openings. I also launched Cowshed, which taught me that building something from nothing requires equal parts vision and stubbornness.
I remember things. The client who can't stand coriander. The supplier who always turns up early. The exact Pantone from an event three years ago. It's not a party trick - it's how I work. When you're producing milestone celebrations or high-stakes corporate events, the details aren't extras. They're everything.
I'm happiest when the food and beverage feels considered rather than catered, when elegant moments happen without fanfare, and when a client forgets to worry because there's nothing left to worry about. A luxury party in a field excites me just as much as a seated dinner for 200 - scale has nothing to do with whether something matters.
Nick Jones calls me "a powerhouse of an events director with attention to detail that is second to none."
Juliette McCrimmon
I've screened films on a beach while the tide came in. Built an igloo at the top of the Shard. Put a different activity in every capsule of the London Eye with 20 seconds to load each one. Turned the roof of the O2 into an event space. When someone tells me something can't be done, my first thought is usually "let's see."
I came up through the art world - head of events at Serpentine Gallery, then Halcyon Gallery - where I learned that a brilliant idea means nothing if the execution falls apart. I've worked with Julia Peyton-Jones, Tracey Emin, Zaha Hadid, Marina Abramović, Anna Wintour, Edward Enninful, Michael Bloomberg, Olivia Colman, Mark Rylance, Lionel Richie, and Richard Curtis. At that level, you learn to move fast, stay calm, and never make the client manage something they shouldn't have to think about.
I've done every job on an event - logistics, operations, creative direction, client management - so I know what actually makes things work, not just what looks good on a pitch deck. I'm also account director for BSME (British Society of Magazine Editors), which means I spend a lot of time with editors, publishers, and people who notice when something's off.
Most event producers tell you what's possible. I'd rather find out what hasn't been tried yet.
Who we are
We've built igloos at the top of the Shard. Screened films on a beach while the tide rolled in. Put Lionel Richie's private party in an art gallery and Princess Leia in a birthday cake reveal. We once loaded 15 different dating activities into 15 London Eye capsules with 20 seconds between each one. (Don't ask about the goat from London City Farm.)
George & Juliette Productions exists because some events need more than a checklist and a mood board. We're a luxury event production company for clients who want something that actually stays with people - not just ticks the boxes.
Between us, we've got three decades of making impossible things happen: George spent 26 years at Soho House and 20 directing the House Festival. Juliette came up through the Serpentine and Halcyon galleries, working with everyone from Tracey Emin to Anna Wintour. We've produced events for 20 guests and 10,000. We've pivoted awards ceremonies mid-pandemic and created immersive worlds out of empty rooms.
We're not an agency. There's no roster, no account manager you've never met. It's us - slightly obsessive about details, unreasonably excited about logistics, and genuinely happy when a client's biggest problem is deciding which incredible option to choose.